Tag: Hadsa

  • The most controversial dramas of 2023

    The most controversial dramas of 2023

    As this year ends, we’ve picked the most controversial dramas of 2023, a tough job since so many serials keep throwing out objectionable stories. These dramas stood out in the sea of shows, focusing on themes like marriage and family conflicts. They’ve earned recognition for capturing large audiences and getting top ratings but also angered parts of the audience with misogynistic or sexist content.

     Here’s the list for the most controversial dramas of 2023:

    1. Mayi Ri

    Writer: Sana Fahad
    Director: Meesam Naqvi
    Channel: ARY Digital

    Mayi Ri, aired on ARY Digital, created waves in the drama scene, garnering attention, criticism, while also generating significant discussion. Considered a game-changer, it proved pivotal for stars like Aina Asif and Samar Jaffry, and marking a significant comeback for Maya Khan. While anticipated to address child marriage issues, the drama’s controversial content led to divided opinions.  Despite criticism, the drama amassed a massive fan following defending its storyline against perceived problems.

    2. Jurm

    Writer: Sana Fahad
    Director: Mehreen Jabbar
    Channel: Geo Entertainment

    Jurm was another mini-series this year which cannot be overlooked. It was the first mini-series of its kind which had it all – drama and mystery. Jurm also marked Mehreen Jabbar’s comeback to television and she made her presence felt in a way that only she can.

     The story follows a newlywed couple deeply in love, willing to go to any lengths for each other. Their happiness takes a hit when Wahaj is attacked by thugs, and his wife gets kidnapped. Despite Wahaj appearing innocent due to his injuries, suspicions arise suggesting his possible involvement in the abduction of his wife. However, Jurm’s underwhelming end was the worst part of the series.

    3. Jaisay Aapki Marzi

    Writer: Naila Jaffri
    Director: Saba Hameed
    Channel: ARY Digital 

    Jaisay Aapki Marzi is a current favorite among viewers. It’s not just a show earning good ratings; many women, in particular, find it relatable. Unlike other dramas, it strikes a chord with the audience, connecting with their experiences and resonating with their lives.The story of drama revolves around Aleezay’s journey. She dreams of a successful career and living life on her terms but succumbs to parental pressure, marrying Sheheryar.

    The plot unfolds as Aleezay grapples with a harsh reality—a marriage into a family dominated by abusive clinical narcissists.Despite some repetitive elements, it remains engaging, particularly when approached without a critical perspective. Mikaal Zulfiqar and Kiran Naz’s performances receive praise for their exceptional quality.

    4. Hadsa

    Writer: Zanjabeel Asim
    Director: Wajahat Rauf
    Channel: Geo Entertainment 

    Hadsa, the story of a rape survivor, landed in a perfect social media storm. Critics alleged that the serial insensitively portrayed a sensitive and distressing subject. Rape is a serious issue, and it’s crucial for media outlets and creators to consult with experts and survivor advocacy groups when tackling such topics. The drama, aired on Geo, left many expressing discomfort due to its perceived mishandling of the sensitive subject and its resemblance to a real-life horrific incident on the motorway in 2020. Supporters said that the drama highlights struggle and bravery of a rape survivor who fights against sexual violence.

    5. Tere Bin

    Writer: Nooran Makhdoom
    Director:  Siraj-ul-Haq
    Channel:  Geo Entertainment

    Tere Bin has gained immense popularity, winning the hearts of millions worldwide. Its engaging storyline and outstanding performances have made a lasting impact on television, creating a remarkable presence in the entertainment landscape. As the highly popular Pakistani drama Tere Bin nears its conclusion, fans are preparing to bid a bittersweet farewell to the beloved characters of Murtasim and Meerab. Meerab and Murtasim, childhood friends, experience separation when Meerab is forced into a marriage she doesn’t want. After years apart, they reunite, and their bond evolves into love.

    The series explores themes of love, separation, and the chance for a fresh start.But a surprise allusion to a marital rape scene cast a negative light on the chemistry between the lead cast. The shocking scenes stirred heated reactions on social media, with Tere Bin trending on Twitter. People voiced their concerns to the makers, questioning the decision to include such content at a time when women in Asian nations are already grappling with domestic violence issues.

  • ‘Hadsa’ is back, Islamabad High Court reverses suspension

    ‘Hadsa’ is back, Islamabad High Court reverses suspension

    The Islamabad High Court (IHC) has released a judgement ordering the reversal of the suspension on the controversial drama ‘Hadsa’, a series banned by the Pakistan Electronic Media Regulatory Authority (PEMRA) after the motorway rape survivor accused the show of capitalising on her trauma. Legal expert Reema Omar shared a clip of the judgement on her Twitter account, where it was highlighted that the regulation board had not listened to the drama makers before announcing the ban:

    “The inconvenience caused to the applicant/appellant side including their irreparable loss is visible, all these ingredients compel this Court to pass the injunctive order.”

    The judgement also ordered that the explicit scene in question- the controversial gang rape of Episode 5- may not be repeated or broadcasted in the upcoming episodes.

    The controversy surrounding ‘Hadsa’ began in August when journalist Fareeha Idress shared an account of her conversation with the survivor, who shared that she was not consulted by the show runners who aired the controversial scene, and requested help from authorities to take down the drama.

    “They have made a drama on my life,” Fereeha tweeted Z told her. “As if I am nothing, no one asked me, it’s same, they are showing the same things, oh my God! Why didn’t I die before reliving this again? You know , I didn’t sleep after the incident for many many nights and it’s all back now, I haven’t slept a wink since I saw this terrible, horrendous depiction of the most terrible moments of my life which I so want to forget. It’s unbearable, I start shivering every day at 5 pm because I know the drama is coming at 7 pm. Why are they doing this to me?”.

    READ MORE: ‘I asked is this related to the motorway incident’: Hadiqa Kiani on motorway rape survivor statement

    Hadiqa Kiani released a lengthy statement on her social media accounts addressing the accusation, saying that after consulting the script writer and the rest of the team, she was sure the drama was not based on the motorway rape survivor:

    “When I was asked to do the role of Taskeen for Hadsa my first question was ‘Is this related to the motorway incident?’ ‘Is this based off the true incident?’ – I made it clear that I would not do the project if it was based off anyone’s story. The team behind the project explicitly told me ‘No’. After many conversations with the team and only after reading the script I understood that Hadsa was not related to or based off on the motorway story.”

    Director Wajahat Rauf answered the criticism by saying the drama was not based on the life of the motorway survivor, and said the purpose of the screenplay was to raise awareness about the ordeal rape survivors go through:

    “The drama is not based on the motorway incident. The protagonist, her husband, her three children, the family dynamics, the police officers who investigate the crime, the reason behind the crime, and the trial are all fictional. The only thing common is the part that the incident occurred on a highway.”

    “The last thing we would want to do is be insensitive towards someone who has been a victim of this brutal crime. It is our opinion that it would be far more insensitive towards the victims if we did not adopt a condemnation tone; in that case, one might argue that we are not at all familiar with the trauma that a rape victim goes through.”

    “Our writer did speak to actual victims who were willing to talk about their trauma and how they eventually coped with it and that is what is reflected in the play. A character should be judged after seeing her entire role. Judgement shouldn’t be passed on the basis of a glimpse of social media posts. Writers and directors can show temporary weakness to show long term strength of a character that develops.”

    On August 31, PEMRA released a statement announcing a ban on ‘Hadsa’.

  • Nadia Afghan, Nadia Jamil slam ‘disgusting’ dialogue from ‘Hadsa’

    Nadia Afghan, Nadia Jamil slam ‘disgusting’ dialogue from ‘Hadsa’

    Trigger warning: mention of rape, violence

    After the controversial drama ‘Hadsa’ was slammed by social media users for allegedly depicting without consent the ordeal of the motorway rape case that happened in 2020, several social media users slammed lead actress Hadiqa Kiani for her ‘tone-deaf’ statement, as well as writer Zanjabeel Asim Shah, and demanded that PEMRA take down the show.

    Now, a controversial dialogue from the drama has made rounds on social media, where the main character, Taskeen, can be heard saying “Jaisay murday ke jism mein rooh waapis nahi aati..waisay hee khoi hui izzat waapis nahi aati.” The clip was shared by Geo’s official Instagram account, as can be seen below.

    The dialogue was spoken in episode 5, after Taskeen is recovering in the hospital from her wounds after the violence.

    The controversial dialogue has launched more uproar on social media, with users demanding to know how it got approved by Hadiqa, who’s repertoire includes feminist dramas that empowered women.

    Activist Leena Ghani pointed out:

    ‘What excuse is Hadiqa Kiani going to give us now? That she didn’t read the dialogues? Was she forced to say ‘Khoi huwi izzat..’ Izzat victims nahi hotey balkay rapists ki koi izzat nahi hoti. Is this how @harpalgeotv wants to spread awareness by victim blaming and gaslighting survivors of sexual abuse? Why doesn’t anyone in the industry have a backbone and why can’t they ever do the right thing?”

    Actress Nadia Jamil slammed the dialogue as “disgusting”, and said no survivor of rape has her honor robbed.

    “Firstly NO HONOUR OF MINE WAS ROBBED WHEN I WAS RAPED. NO HONOUR OF ANY RAPE SURVIVOR IS ROBBED. THOSE WHO RAPED HAD AND HAVE NO HONOUR. THEY are the ones who should feel and be in shame. Not the victim.”

    The actress called out PEMRA and GEO for encouraging the ugly narrative of shame that would further marginalise survivors of rape, and said it took her years of therapy and coaching to come to a place where she herself- as a survivor of child abuse- could not feel ashamed about her trama.

    “The narrative of SHAME that is dumped on rape survivors is horrible. It’s a burden we carry through our lives. It took me years of therapy, prayer and coaching to come to a place of solid self worth and self respect within myself. Today movements like #notmyshame Shatter the Shame that survivors of abuse and rape have carried. Allowing us to belong to a tribe that recognises, the shame was never ours to carry, or suffer, to begin with. People like @ejtayloruk work hard to build a community where survivors feel empowered and safe. Please do not encourage this ugly narrative of shame for survivors @GeoTvNews @reportpemra you have a responsibility that comes with your power. Many men and women watching this may have been raped and it’s the last thing they need to hear AND it’s a lie.”

    Nadia Afghan also criticised content heads for their “insensitive and callous” approach towards sensitive topics like rape, and their only motive is to make more money out of it, saying that she was “disgusted and heartbroken.”

  • ‘Hadsa’ writer Zanjabeel Asim Shah refutes allegations from motorway rape survivor

    ‘Hadsa’ writer Zanjabeel Asim Shah refutes allegations from motorway rape survivor

    After Hadiqa Kiani, the writer behind the controversial drama ‘Hadsa’ has come forward to address allegations that the script is based on the horrific motorway rape case, in which a woman was gang-raped in 2020 in front of her young children. Episode 5 of the drama shows the female lead, Taskeen, and her son driving down a highway at night when their car suddenly stops. Soon after, a group of men arrive who subject the female lead to torture and rape. Journalist Fereeha Idrees called the story a serious violation of privacy, and demanded that PEMRA shut down the show for exploiting a survivor’s trauma for ratings, without her or her family’s approval.

    Now, in a conversation with BBC Urdu, the writer has denied these allegations, pointing out that every woman, regardless of her background, can suffer from rape:

    “The similarity is just a coincidence. Every woman who goes through this incident, whether she is rich or poor, or whether she comes from an educated family or not, will get affected. Our dramas speak about our sufferings and our situations.”

    ‘When you fight this war, you’re also getting your catharsis,” he said.

    Zanjabeel went on to discuss writing on other topics like child sexual abuse and said that sometimes, drama scripts can bear resemblance to real life cases.

    “I have shown a young son who was getting married. We often say that a woman is going out alone, but she would still be helpless even if her husband went with her.”

    Since the allegations by Idrees went viral, on X, formerly Twitter, the hashtag #banhadsa began trending, with social media users criticing the cast and crew behind for violating the privacy of the rape survivor, and called for PEMRA to ban the drama. To which, Zanjabeel had responded:

    “PEMRA had banned my drama ‘Pyaar Ke Sadqaay’ too. But does this mean girls are not abused inside their homes? PEMRA had annoyed even Bee Gul so much over her drama ‘Darr Si Jaati Hai’. If they keep doing this, then should we only make dramas about saas-bahu conflicts? If we can’t make dramas about sensitive topics, then should we only make romance dramas,” he asked.

    Hadiqa Kiani released a statement on her social media account, saying that when she first read the script there were similarities with the motorway rape case, but after discussions with the writer and team, she understood that the drama was entirely different.

    Her statement was slammed by social media users, who demanded that she stop gaslighting survivors of rape and trauma.