After confusing fans with a cryptic picture of rings with no caption, Aamina Sheikh has confirmed that she has indeed tied the knot. The actor shared a picture of herself with her husband and daughter. According to reports, Aamina’s husband is a computer engineer based in Dubai.
https://www.instagram.com/p/CDqFkANB4eo/
https://www.instagram.com/p/CDqFxAxB_6h/
Earlier, Aamina had shared the picture of the rings in a grid form with ‘Bismillah’ hinting that she has tied the knot or has gotten engaged.
Of all the films releasing this Eid, Parey Hut Love was probably the most hyped. Everything about the film – cast, set, costumes, locations – was larger than life and the cast of the film promoted it to death. So much so that even if you weren’t interested in the film, you’d still want to see what it is all about.
Naturally, that raises expectations and that’s when things begin to go down. I entered the cinema excited and left the cinema deflated because the film did not match up to my expectations and what I had been promised.
To begin with, there was no story and half an hour into the film, I had figured out the plot. Parey Hut Love is the story of Sheheryar (Munawar), a commitment-phobic struggling actor who meets Saniya (Maya Ali) at a family wedding. The two spend time together and fall in love. Saniya, who lives in Turkey heads back with the promise that the two will keep in touch. However, Sheheryar’s phone is stolen and Saniya thinks that he has ditched her and is heartbroken. The rest of the film follows the duo as they find their way back to each other despite almost getting hitched to other people.
The entire film was just lots of beautiful wedding scenes put together with many of the scenes inspired by Bollywood movies. You will find references from Ae Dil Hai Mushkil, Hum Tum and Yeh Jawaani Hai Deewani and even from the Hollywood film Dear Rosie. I personally felt the plot was heavily borrowed from Dear Rosie and Hum Tum.
There was no flow of scenes and some of them, like Mahira’s entry, were so abrupt that it took you a while to put things together and figure out what was going on. It’s like the makers forgot that they had a story to tell.
Parey Hut Love belonged to Sheheryar and Sheheryar only. His character was the only one which was given attention and developed properly while the rest of the movie was rushed. Sheheryar and Saniya’s love story was poorly written. Maya barely had any dialogues and she was a little more than a showpiece.
Zara Noor Abbas and Ahmed Ali Butt were wasted in the film and their roles terribly written. Zara is a talented actor and her comic timing is brilliant which is why I honestly felt upset with the way she was presented. I wish she had more screentime and her character had been more developed because she lit up the screen every time she came on. Also, why wasn’t her styling given the same amount of importance as Maya? While Maya breezed through the film in one gorgeous outfit after another, Zara’s outfits and looks were lazily done. The makeup was also a letdown – the lip colours too light and the eyes heavily done. Maya is a stunning actor and she stole the screen in Teefa in Trouble. In Parey Hut Love not so much.
Zara looks out of place in this coral pink outfit
On the flip, the cinematography, especially the ariel shots, locations, costumes, sets were amazing because of which the film was aesthetically very pleasing. The songs were also beautiful. Kudos to Azaan Sami Khan for delivering one stellar track after another and to Nigah Jee for the brilliant choreography. Morey Saiyaan, Ik Pal and Haye Dil Bechara were a treat to watch and frankly the biggest takeaway from the film.
Munawar has grown as an actor and honed his talent. He has also worked on his physique and all his hard work showed in the film. Maya could have done much better. Ahmed, Zara and Hina Dilapazeer gave some of the best moments from the film with their impeccable comedy.
The surface of Parey Hut Love was polished till it sparkled while little to no attention was paid to the core – the inside of the film was hollow.
Note – This article was updated on August 1, 2020. With no new movies hitting cinemas this year due to the COVID-19 lockdown, TV channels are airing their previous releases. Parey Hut Love was 2019’s highest-grossing film.
The trailer of Cake director Asim Abbasi’s original web series Churails, featuring Sarwat Gilani, Nimra Bucha, Mehar Bano and Yasra Rizvi, has finally dropped and it is more than what we could have ever wished for. The trailer promises lots of action, drama and badass women taking on misogyny head-on. It is unlike anything Pakistan has ever seen before.
Churails “is the story of a lawyer(Gilani), wedding planner(Rizvi), convict (Bucha) and boxer (Meharbano), who come together to form a secret detective agency with the purpose to find and expose unfaithful husbands amongst Karachi’s elite, operating under the guise of a fashion store named ‘Halal Designs’. As their operations expand, they come to be saviours of abused, harassed and mistreated women.”
According to a press release, the show “aims to challenge the hypocrisy of patriarchal societies that vanquish women and their rights.”
“The gripping and fast-paced storyline covers myriad of issues such as child abuse, sexism, the domination of class and race and aims to challenge the hypocrisy of patriarchal societies that vanquish women and their rights,” it adds.
The makers of the show define churails as “she who takes ownership of her life and is unapologetic of her being. She who breaks the glass ceiling and every prejudice that society has created against women.”
“She who is strong, she who is fierce, she stands for what she believes in… she is a ‘churail’.”
Director Asim Abbasi, while speaking about the project said that the story is about “strong women, embarking on a journey of self-discovery, empowerment and sisterhood.”
The 10-episode series is expected to stream from August 11 on ZEE5 Global’s Zindagi channel. Omair Rana, Adnan Malik, Sania Saeed and Hina Bayat are also part of the ensemble cast.
The trailer has already made noise and has received praise from both sides of the border.
There are often times in life when you’re at loss for words. And writing this review is one of those moments because there is so much to say but no words to express my emotions. Sushant Singh Rajput passed away on June 14 due to suicide but the mystery surrounding his sudden death remains, leaving one restless and searching for answers. His unexpected death impacted Bollywood fans across the world in a way no one could have imagined. In midst of all this, Disney Hotstar announced that they would release the actor’s last film digitally on their streaming platform and make it available to everyone with the aim to celebrate his life and legacy. The move was welcomed by his fans as they felt that the film would give them the closure they have been searching for. But unfortunately, the film ends up widening the void instead of closing it because, by the time the credits roll in, you’re emotional, teary-eyed and wishing that the film would never end because you just want to continue watching Sushant weave his magic on screen.
Dil Bechara is the official Hindi adaption of The Fault in Our Stars. It is the story of two cancer patients Kizie and Manny, whose paths cross at a cancer support group. Though Kizie initially finds Manny ‘irritating and annoying’, Manny with his goofy antics soon becomes the centre of Kizie’s universe. He makes her laugh and forget her worries and gives her ‘boring’ life a whole new meaning. The two bond over music and movies and become inseparable. But life throws them another curveball and Manny, whose cancer was believed to have gone, returns leaving him terminally ill.
While Dil Bechara Sushant’s last film, it is debutante Sanjana Sanghani’s first film and also marks the directorial debut of renowned casting director Mukesh Chhabra. Sanjana makes a sound debut and is confident in her role but for me, the film is only Sushant, who steals the shows with his infectious smile and on-screen presence. From the minute he comes on the screen to the minute he says Seri in the last shot, my eyes were glued to him throughout and I wished the film didn’t end. A master performer, Sushant did not let his fans down with his swan song. His expressions and body language were brilliant and he slipped into Manny’s character with finesse.
Given the circumstances surrounding the film’s release, emotions are naturally running high and it is impossible to not relate Sushant’s untimely death with Manny’s. In particular, the last scene, when everyone gathers to watch Manny’s film. At that point, the lines between real and reel were so blurred you forgot you were watching a movie because everything just felt so real.
The last scene
A.R Rahman’s music beautifully blended in with the mood of the film and the setting of the frames, giving the film a magical touch. My personal favourite from the album has to be Main Tumhara.
Some of the film’s dialogues were also amazing and I see them becoming a thing. One of them – “Jeena kab hai aur marna kab hai yeh hum decide nahi kartay, laikin jeena kaisay hain, yeh hum decide kar saktay hain” – has already become iconic and synonymous with Sushant.
As much as I want to only heap praises on the film for having its heart in the right place and being a touching watch, it would be unfair to ignore its shortcomings which mainly lied in the direction and editing. The story and characters are underdeveloped, especially Manny’s. All through the film, I kept waiting for a backstory on Manny – just some basic details would have sufficed. However, apart from the fact that he’s rich and doesn’t need to work, we don’t get much on Manny or his family. Sushant’s portrayal of Manny was the only saving grace of an otherwise poorly written character.
More so, the editing is choppy and appears to have been lazily done. Given that the film was a tribute to Sushant, I wish the makers had put in more effort in post-production. The film currently runs for one hour forty minutes and could have easily been stretched to two hours to tie up loose ends.
Since its release, I’ve watched Dil Bechara twice and will perhaps watch it a couple of times more but only for Sushant. He effortlessly carried the weight of the entire film and pulled it through despite its shortcomings. Sushant lit up the screen every time he made an appearance and I wish the film was longer so he could have stayed with us more.
Nabeel Zafar, who plays one of the leads on ARY Digital’s hit sitcom Bulbulay, has apologised for ‘offensive’ comments against Pashtuns on the show.
In a video message, Nabeel apologises for hurting Pashtun sentiments and says that their intention was never to hurt anyone.
“I came across some comments on Twitter today that we might have hurt the sentiments of our viewers through a scene of the show,” says Nabeel in the video. “We would never target a particular ethnicity. That was never our intention. Our audience ranges from a four-year-old to an eight-year-old. We receive massive viewership from the KP region.”
He then goes on to explain the characters and says that the team of the shows aim to entertain the masses and make them laugh.
“There are several characters on the show. We never meant to disrespect anyone. Our only intention was to make our audience happy,” he says further.
Nabeel’s video was retweeted by the official handle of ARY Digital as well as ARY CEO Salman Iqbal.
I’m here on this platform to apologise to any one who has been hurt by any thing we have said or done in Bulbulay!!! our intentions are to make people happy not to discriminate or hurt any one We are extremely sorry . pic.twitter.com/LIMe6AoZuy
In a clip being circulated on social media, Mehmood Sahab (Mehmood Aslam) is seen talking to a Pathan man Sher Khan over the phone. When Khan says that he would like to come to their house and give them a gift, Nabeel jokes that the only gift he will give is either naswar or a bomb. Nabeel’s comments sparked outrage for stereotyping Pashtuns and the hashtag #BoycottARYDigital began to trend on social media.
We Pakhtoons are not terrorists nor drug dealers. We are Patriotic Pakistanis and we respect all ethnicities. @arydigitalasia you MUST apologise immediately for portraying Pakhtoons as terrorists.
ARY making biased jokes on Pashtuns in their bullshit drama ‘Bulbulay’, has greatly hurt Pashtun sentiments. Such type of jokes don’t make you superior or smart than others. The racial profiling of Pashtuns is utter ignorance, that leads to regional division. #BoycottAryDigital
Shams on you ARY for airing such hideous episode of bulbulay shame on the writer director actors and whole staff of bulbulay for participating in such episode .#BoycottAryDigitalpic.twitter.com/TzKhZ3gzeU
Every now and then Pakistani dramas touch upon topics of social issues which highlight societal ills. The latest to do so is Bikhray Moti starring Neelam Muneer, Wahaj Ali, Yasir Nawaz, Samina Ahmed and Nausheen Shah. The drama, which airs on ARY Digital aims to highlight domestic and child abuse and exploitation. It is raw, unfiltered in a few places and honest which is why it makes a depressing watch.
Ayeza
Bikhray Moti is centred on Ayeza (Neelam Munir), the daughter of an abusive and misogynistic father (Waseem Abbas) who believes daughters to be a burden. He is ruthless and egotistical and doesn’t appear to care much about the women of his house. Ayeza’s elder sister Faiza (Nausheen Shah) is married to Zulfi (Yasir Nawaz), who is lafanga (useless person). Faiza and Zulfi have three children together and are expecting a fourth but due to Faiza’s weakness and years of abuse, she is unable to give birth to the child and passes away in the process. Before dying, she entrusts Ayeza to take care of her children and save them from their father, who will also not hesitate to use them for his gains. Ayeza vows to become independent and financially stable so that she can take care of them and fulfil the promise she made to her sister.
After Faiza’s death, Zulfi takes his children back home much to Ayeza’s protests and hands them over to his mother (Samina Ahmed) because he can’t be bothered to take care of them. The children’s grandmother sends her elder grandson Jaanu to Hyderabad to work at Zulfi’s brother’s shop and decides to sell her teenage granddaughter Shehzadi to an older man in marriage.
On the other hand, Ahad (Wahaj Ali) is Ayeza’s childhood friend and neighbour who she loves very much and wants to get married to. He is the son of a maulvi sahab and wants to become an actor much to his father’s disapproval. Ahad also loves Ayeza and is willing to go any length for her. Wahaj has done a fantastic job as Ahad: he is soft-spoken, warm and gives a very measured performance which deserves an applause.
Ahad
Ahad and Ayeza plan to run away and get married. However, before that can happen, Zulfi’s manipulative brother and Ayeza’s father plot to trick Ayeza into marrying Zulfi. While the earlier episodes have been slow-paced, the latest one (Episode 9) was packed with action, masala and a lot of slaps to get the momentum going. Ayeza’s father abhors her defiant and independent nature and despite knowing Zulfi is useless, insists on getting his daughter married to him to teach her a lesson. Over the course of his career, Waseem Abbas has perfected the role of a heartless father and his performance as Ayeza’s father is no less.
Given that the central theme of the drama is domestic and child abuse, there is a lot of it in the drama, in graphic detail. The honesty with which it is presented is a true reflection of society and is bound to shake you up, especially given how cases of child abuse have been on the rise in the past couple of years.
While the lead actors have given solid performances, it is the child actors who stand out in the drama especially Jaanu. They have delivered brilliant performances and are so convincing that you end up feeling every emotion with them.
Jaanu
Bikharay Moti is not everyone’s piece of cake and takes a lot of courage to watch. Written by Edison Idrees and directed by Shahid Shafaat,it every Tuesday at 8pm on ARY Digital.
Throwing light on the highly controversial Indian (and Pakistani) wedding and matchmaking culture, a new Netflix original reality series has stirred a debate online and received mixed reviews about the toxicity ingrained in the country’s age-old process of finding a life partner. The show is currently trending at number four on Netflix Pakistan.
The eight-part series Indian Matchmaking premiered on Netflix on Thursday and is currently among its top-ranked India shows. It features Sima Taparia, a real-life matchmaker from Mumbai, who offers her services to families within India and abroad. As the show gains traction, the one question which is crossing everyone’s mind is ‘Who really in Sima Taparia’?
In a recent interview, Taparia, who hails from a small town of Gulbarga in Karnataka, opened up about herself and revealed that she always wanted to be famous.
“I always had great ambition and wanted to make something of myself so people far and wide would know my name,” she says.
However, her marriage was arranged when she was just 19 and because her in-laws were from an orthodox family of Marwaris, she never really got a chance to work on her dreams.
But as fate would have had it, the small-town girl has become a sensation ever since her series streamed on Netflix.
On how she ended up in this business, Taparia said that she considers herself a natural born matchmaker.
“I am an extrovert and so I am very social and I love meeting new people, talking to them and finding out little details that I lock away in my brain,” says the 57-year-old.
“When people come to me saying they have a son, daughter, nephew, niece or a grandchild who is looking to get married, I immediately start thinking of all the people I know of who could be a good match,” she explains, adding that she is always mentally matching people. “I have found matches for people when I was on vacation in Zermatt and in Interlaken and even when we were in the Canadian Rockies, I was on duty matching people up. Hell, I have even matched people up while waiting at the luggage carousel at Mumbai airport.”
Ever since Taparia set up her matchmaking bureau ‘Suitable Rishta’, based out of her apartment in the midtown Mumbai neighbourhood of Worli, she has brought hundreds of couples together in India as well as in diaspora communities around the world.
Taparia follows a tried and tested approach that she has found success with. “I go and meet the boy and the family, see what their home is like, where they work, where they have been to school,” she explains. It’s not just the information the family provides but unsaid details she has learned to pick up over the years.
“This helps me assess their lifestyles so I can recommend a match that is on an even keel. This is where Tinder, Bumble and Shaadi.com can’t compete. I get to the bottom of things, finding out all the inside stories, the family’s values and other such details you would never get from looking at a person’s online profile,” says Taparia.
She further shared that she only works with “high-profile clients”.
“In India when I meet clients they usually have a working wedding budget in mind. So based on that golden number, I quote my price that I charge as a lump sum,” said the match-maker.
Following the series’ success, Taparia’s phone has not stopped ringing.
“Now young people who have seen the series have been getting in touch with me from all around the world and people in India are asking their parents to get in touch with me to find them partners like Nadia and Aparna,” she says.
Netflix’s ‘Indian Matchmaking’ divides the internet
Meanwhile, the show has the internet divided. The show has become a subject of memes and jokes, and criticism, on how individuals and their parents are picky and have a long list of demands that centre around factors like caste, height or skin colour.
The show “makes very clear how regressive Indian communities can be. Where sexism, casteism, and classism are a prevalent part of the process of finding a life partner,” wrote Twitter user Maunika Gowardhan.
Thousands of Twitter and Instagram posts echo that view. “The show is simply holding a mirror to the ugly society we are a part of,” Vishaka George, another Twitter user, wrote.
Created by Oscar-nominated director Smriti Mundhra, the show focuses on matchmaker Taparia’s visits to the homes of families who need her assistance. After hearing their demands, she presents résumés of prospective matches and then arranges meetings between them.
“The two families have their reputation and many millions of dollars at stake. So the parents guide their children,” Taparia says at one point in the show, referring to some of her wealthier clients.
In the first episode titled Slim, Trim and Educated, an Indian mother tells Taparia her son is getting a lot of marriage proposals but in most cases, the prospective bride’s education or height was not ideal.
Just as Taparia says: “So you want a smart, outgoing, height …” the mother interjects, “I won’t even consider (a girl) below 5 feet 3 inches.”
Some have praised the show for its honesty and treating its subjects respectfully.
“The hate against it is, frankly, baffling … Indian Matchmaking is well on its way to becoming a cultural phenomenon,” a column in the Mint newspaper said.
The Islamabad High Court (IHC) on Saturday approved the relocation of Islamabad Zoo’s lone elephant Kaavan to Cambodia. The court had ordered Kaavan’s freedom in May and instructed wildlife officials to find him a “suitable sanctuary”.
According to AFP, Adviser to Prime Minister Imran Khan on Climate Change Malik Amin Aslam said authorities would “ensure that he lives a happy life”. He revealed that a team from Cambodia is coming over to take the 36-year-old elephant with them.
“We are bidding Kaavan farewell with a heavy heart. It is a sad decision,” he said.
Amin also shared that he had discussed Kaavan’s plight with Prime Minister Imran Khan and it had been decided that a safari zoo will be built in Islamabad.
Authorities told the court that an expert committee had recommended he be moved to a 25,000-acre wildlife sanctuary in Cambodia for retirement.
Kaavan was kept in chains at Islamabad Zoo and exhibited symptoms of mental illness, prompting global outrage over his treatment and a petition demanding his release that garnered over 400,000 signatures.
Though zoo officials have denied this and claimed that he was pining for a new mate after his partner died in 2012, Kaavan’s behaviour — including signs of distress such as bobbing his head repeatedly — demonstrated “a kind of mental illness”.
Activists also said Kaavan was not properly sheltered from Islamabad’s searing summer temperatures, which can rise above 40 degrees Celsius (100 Fahrenheit).
Kaavan’s plight drew the attention of Cher, who spent years calling for his freedom.
She tweeted in May that the court’s decision to order his release was “one of the greatest moments of my life”.
THIS IS ONE OF THE GREATEST MOMENTS OF MY LIFE. CANT STOP , ,BEING SICK 2 MY STOMACH.(Ate in The night & Was SOOOO Sick,Still am.Can you O.D from too much )⁉️ BUT KAAVAN IS FREE DOWN MY CHEEKS,BUT HES FREE,& @markcowne DID IT .GINA, JEN
Arriving in Pakistan as a one-year-old in 1985 from Sri Lanka, Kaavan was temporarily held in chains in 2002 because zookeepers were concerned about increasingly violent tendencies. He was freed later that year after an outcry but it emerged in 2015 that he was once more being regularly chained for several hours each day.
The court’s May ruling also ordered dozens of other animals — including brown bears, lions and birds — to be relocated temporarily till the zoo improves its standards.
Ertuğrul fever in the country continues to run strong.
After Ertuğrul-inspired cakes, dresses and even snacks named after the TV show, we now have a drama serial inspired by the superhit Turkish historical series. Kawish Television Network (KTN), a private Sindhi TV channel, has released the teaser of their upcoming drama serial titled Raj Rani, which appears to be heavily inspired by the Turkish series.
The Turkish drama series has influenced Pakistan and its entertainment industry greatly . Taking inspiration from it, KTN entertainment has been producing a drama series titled Raj Rani, glorifying swords. https://t.co/F2a9sUYwtV
The short 30-second teaser shows an intense sword fight with an ancient fort in the background. It is interesting to see the inclusion of women in the sword fights, something that is unusual on Pakistani television.
While further details are not yet known about the series, watch the teaser below:
Set in 13th century Anatolia and based on the struggle of Ertuğrul Gazi, father of Osman I – the founder of the Ottoman dynasty, Diriliş: Ertuğrul has been trending in Pakistan ever since its first episode aired on PTV Home. Pakistanis are loving the drama series and it has become a sensation in the country. According to details, more than 58 million people viewed the first episode on PTV’s YouTube channel in two months, and the entire show has had more than 250 million views. PTV’s YouTube channel has also registered an exponential rise in its viewership with more than 6 million subscribers and episodes trending every day on the social media platform.
In an exclusive interview with The Current, Pakistan Tehreek-e-Insaf (PTI) Senator Faisal Javed Khan revealed that Turkish President Recep Tayyip Erdoğan had gifted the drama series to Pakistan as a goodwill gesture.
Falak Shabir and Sarah Khan have legit been giving us couple goals ever since they announced their engagement. The couple has gone above and beyond to express their love for each other.
Whether it was having a fairy tale proposal and engagement, complete with fireworks
https://www.instagram.com/p/CCwkLbTpqRy/
According to the couple’s wedding photographer, Abdul Samad Zia, Falak arranged everything for Sarah.
https://www.instagram.com/p/CCwG8HGp3C8/
Or it was Falak serenading his bride on their wedding day
Or when Sarah changed her name on Instagram to Mrs Falak
And when the two enjoyed their own ‘shaadi ka khana‘
To express his love even more, Falak has gotten Sarah’s name tattoed on his arm. The singer shared a picture of his tattoo on social media with the caption “She is my Queen”.
Later, the couple’s wedding photographer also shared an image of the tattoo.
On the other hand, Sarah wrote ‘Falak ki Dulhan‘ with mehndi on her palm.
Here’s wishing the newly weds a very happy married life.
