Tag: instrument

  • Arieb Azhar shares memories of instrument maker Muhammad Ziauddin

    Arieb Azhar shares memories of instrument maker Muhammad Ziauddin

    Muhammad Ziauddin, Lahore’s master musical instrument manufacturer, has passed away. He was known for his skill in making instruments and for preserving culture. The news of his death was shared by famous musician Arieb Azhar on Facebook. Azhar praised Ziauddin’s special personality, wisdom, and his role in keeping Pakistan’s musical traditions alive.

    Azhar wrote on Facebook, “I just found out that the great instrument maker from Lahore, Muhammad Ziauddin, passed away four days ago. He was a unique personality, full of wisdom and humor.”

    Azhar continued to pay tribute, saying, “On many occasions, I spent hours at his shop listening to his stories and jokes, and learning from his deep knowledge about Pakistan’s musical traditions. He was a master at making Sitar, Sarod, Sarangi, and Surmandal, along with other stringed instruments. His family has been crafting instruments for 300 years.”

    Many people, like Azhar, were lucky enough to spend hours at Ziauddin’s shop. There, they didn’t just admire his instruments but also enjoyed his stories, jokes, and wide knowledge of Pakistan’s music. Ziauddin put his all into his craft, showing his dedication by pouring his heart and soul into every instrument he made.

    Azhar also said, “He was a key figure in our film ‘Indus Blues,’ which is about the endangered musical instruments of Pakistan. Despite receiving a Presidential award, he couldn’t even own the shop he worked in. These are the people our country should invest in and support to bring back a culture of decency and beauty in the world.”

    In his tribute, Azhar expressed sadness over the lack of support for artisans like Ziauddin. He stressed the importance of the government investing in and supporting people like him to revive and keep Pakistan’s cultural heritage alive. Ziauddin’s death isn’t just a loss for his family and the music world, but also a reminder of how crucial it is to acknowledge and preserve the contributions of such individuals. Azhar said, “Our country has lost a precious person, and many don’t even realize it.” He ended by saying, “His son Kashan continues his father’s legacy. May Ziauddin Sahab’s journey be blessed forever!”

  • Mughal-era instrument Sarangi fading out from music scene

    Mughal-era instrument Sarangi fading out from music scene

    In the shadow of Lahore’s centuries-old Badshahi Mosque, Zohaib Hassan plucks at the strings of a sarangi, filling the streets with a distinctive melody.

    According to AFP report, remarkable for its resemblance to a plaintive human voice, the classical instrument is fading from Pakistan’s music scene – except for a few players dedicated to preserving its place.

    Difficult to master, expensive to repair, and with little financial reward for professionals, the sarangi’s decline has been difficult to halt, Hassan told the AFP news agency.

    “We are trying to keep the instrument alive, not even taking into account our miserable financial condition,” he said.

    For seven generations, his family has mastered the bowed, short-necked instrument and Hassan is well-respected across Pakistan for his abilities, regularly appearing on television, radio and at private parties. He also teaches the instrument at an academy he set up in Lahore.

    “My family’s craze for the instrument forced me to pursue a career as a sarangi player, leaving my education incomplete,” he said.

    “I live hand-to-mouth as the majority of directors arrange musical programmes with the latest orchestras and pop bands.”

    Traditional instruments are competing with a booming R&B and pop scene in a country where more than 60 percent of the population is aged under 30.

    Sara Zaman, a classical music teacher at the National Council of Arts in Lahore, says that it’s not just the sarangi, other traditional instruments such as the sitar, santoor, and tanpura are also dying out.

    “Platforms have been given to other disciplines like pop music, but it has been missing in the case of classical music,” she said.

    “The sarangi, being a very difficult instrument, has not been given due importance and attention in Pakistan, leading to its gradual demise.”

    ‘The strings of my heart’

    The sarangi gained prominence in Indian classical music in the 17th century, during the reign of the Mughals in the subcontinent.

    Ustad Allah Rakha, one of Pakistan’s most globally acclaimed sarangi players, died in 2015 after a career that saw him perform with orchestras around the world.

    Now players say they struggle to survive on performance fees alone, often much smaller than those paid to modern guitarists, pianists or violinists.

    Carved by hand from a single block of cedar native to parts of Pakistan, the sarangi’s primary strings are made of goat gut while the seventeen sympathetic strings – a common feature on subcontinent folk instruments – are steel.

    The instrument costs approximately 120,000 rupees ($625) and most of its parts are imported from neighbouring India, where it remains a principal part of the canon.

    “The price has gone up as there is a ban on imports from India,” said Muhammad Tahir, the owner of one of only two repair shops in Lahore.

    Pakistan downgraded diplomatic ties and stopped bilateral trade with India over New Delhi’s decision in 2019 to strip Indian-administered Kashmir of its semi-autonomous status.

    Tahir, who can spend some two months carefully restoring a single worn-out sarangi, said no one in Pakistan manufactures the special steel strings because of the lack of demand.

    “There is no admiration for sarangi players and the few people who are repairing this wonderful instrument,” said Ustad Zia-ud-Din, the owner of the other Lahore repair shop, which has existed in some form for 200 years.

    Efforts to adapt to the modern music scene have shown pockets of promise.

    “We have invented new ways of playing, including making the sarangi semi-electric to enhance the sound during performances with modern musical instruments,” said Hassan.

    He has now performed several times with the adapted instrument and says the reception has been positive.

    One of Hassan’s few students is 14-year-old musician Mohsin Muddasir, who has shunned instruments such as the guitar to take on the sarangi.

    “I am learning this instrument because it plays with the strings of my heart,” he said.