Tag: Pakistani Celebrities

  • Vasay Chaudhry apologises for ‘overseas Pakistani’ joke on Mazaaq Raat

    Vasay Chaudhry apologises for ‘overseas Pakistani’ joke on Mazaaq Raat

    A clip from the Dunya News comedy show ‘Mazaaq Raat’ featuring model and actress Sarah Neelum went viral on social media.

    Neelum was seen mocking overseas Pakistanis for pretending to be well-established and wealthy in Pakistan, while they are actually washing toilets abroad.

    The clip received severe backlash from overseas Pakistanis. One user wrote:

    “This unknown model on national television is claiming that overseas Pakistanis clean gutters abroad and come to Pakistan to show off by wearing cotton clothes. Meanwhile, these very overseas Pakistanis contribute $32 million through their hard work abroad.”

    Actor Shaan Shahid was among the voices who critcised Neelum’s opinion:

    “Our overseas Pakistanis .. from all walks of life are our pride .. none should show disrespect .. towards them .. as the country and we the nation owe them much more than respect .. as their sacrifices are beyond words.. much respect.”

    The host of the comedy show, Vasay Chaudhry, stepped in to apologise for the tasteless joke by calling it a “ridiculous comment”.

    “I want to publicly apologise on behalf of my whole team at #Mazaqraat ,a very stupid,Vile & ridiculous comment was made recently abt overseas’s Pakistani’s by one of the guests in our show which was followed up by an attmepted joke by one of the comedians(again in bad taste).”

    The ‘Punjab Nahi Jaugni’ actor further added:

    “A formal apology will be aired in tonight’s episode. However , I wanted to personally apologise to all the Pakistanis living abroad.We Love you , even though you might not feel the same at this point, but ” ghalatiaan apnoo say he hoti hain.”

  • Haroon Kadwani, Yashma Gill, other celebrities pay loving odes to their fathers

    Haroon Kadwani, Yashma Gill, other celebrities pay loving odes to their fathers

    Its Father’s Day, and celebrities like Yashma Gill and Haroon Kadwani took to social media to share loving odes to their father, because we truly know that behind every successful individual is a strong support system.

    ‘Jhoom’ actor Haroon Kadwani shared a picture with his father, producer Abdullah Kadwani, and praised him for being a ray of sunshine and his role model.

    Happy Father’s Day to a true superhero – my coolest and stylish Abba. A ray of sunshine for others, a king at heart and a man of his words aka my role model. Love you ❤️ Stay blessed.. may ALLAH protect us from the eyes of the evil
    – your proudest son, since 1999 ”

    Zara Noor Abbass shared two pictures with her father, and thanked him for fulfilling his duties as the man of the house

    Actress Yashma Gill shared a cute picture playing a game with her father

    Danish Taimoor shared a card he received from his son, Rayan, for Father’s Day. The actor has married ‘Chand Tara’ co-star Ayeza Khan, with whom he shares two children.

    Bakhtawar Bhutto-Zardari, daughter of the late Benazir Bhutto, shared a picture of her son with his grandfather, Asif Ali Zardari.

  • There are better things in life to talk about than Naimal Khawar’s alleged nose job

    There are better things in life to talk about than Naimal Khawar’s alleged nose job

    Social media can be a blessing because of how it is able to bring people together regardless of their background. It provides people with an opportunity to connect with like-minded individuals. But we have to admit that the downside of social media -particularly in regard to how women on the internet are openly criticised and trolled- is something that cannot be overlooked. Mahira Khan was attacked online for not wearing a dupatta, and now Naimal Khawar is getting trolled after people assumed the actress had gotten a nose job.

    Pakistani women exist in an invisible cage that follows them to their graves. They are a vessel of opinions other people have about them, and have no say in how they choose to live their own lives. Men tend to perceive Pakistani women as their personal nannies, therapists and full time mothers. In the particular case of Naimal Khawar, its amazing how entitled babus on the internet have so much to say about a woman who is financially independent and has a caring and attentive husband and family.

    What had led to such a vicious response? The actress had merely posted pictures of herself next to some flowers, which led to some trolls making heinous comments about how her alleged nose job made her face look different.

    Like seriously, the comments section really proves how as Pakistanis, misery is the flag we love to wave. We cannot remain happy, therefore we cannot see other people happy.

    I’m sorry but did Naimal Khawar personally reach out to you for money even if she had gotten a surgery? Why would you feel so entitled to make such negative comments about a woman’s face? Why do Pakistanis feel that making hideous remarks about women’s bodies passes is acceptable? Naimal Khawar has not survived so many years in a competitive industry solely because of her looks, but because she is a talented person. She owes no one an explanation about how she chooses to live.

    Trying to justify your body shaming by using the religion card? Didn’t Islam also tell us to keep our opinions to ourself, and to never open our mouth if we have to make a mean comment about someone? In a country like Pakistan where already 75 per cent people suffer from mental illnesses like depression, could we try to understand that, now more than ever, women need to stop pilling on hate on each other, and help by being a little kind and compassionate?

    By the end of the day, we simply have to say that take your rules and restrictions away from the bodies of Pakistani women. Naimal Khawar is her own person. She can decide by herself what she wants with her life, whether she chooses to go under the knife or not. It’s all about what makes her feel more secure in her body. For the rest of us, there are more things to worry about while living in Pakistan rather than taking it out on a woman who has nothing to do with it.

    If you’re still having a problem in undestanding how to possibly mind your business and manage not to tear down a happy person, then take a note from Mathira, who manages to keep a classy and cool persona by uplifting people when they need it the most.

  • Beware, Biparjoy: our celebs are armed with safety tips and they’re not afraid to use them

    Reports are coming in that 62,000 people have been evacuated from the country’s coastal line, according to Climate Change Minister Sherry Rehman, and 75 relief camps have been set up at schools and colleges, according to Samaa.

    Celebrities and public figures are taking to social media to send helpful advice and prayers to those who could be affected by the natural disaster, as well as encouraging followers on social media to not listen to misinformation while stocking up on all the necessary things they need incase of emergency.

    Veteran actress Bushra Ansari shared a video of the sea outside her apartment to disseminate the misinformation that the storm had already reached Karachi, and sent her prayers to the resident’s of this city

    Philanthropist and actress Shaniera Akram urged her followers to help the ones living along the coast and whose lifestyle could be harmed due to the floods.

    Founder of ‘Something Haute’ Amina Haider Isani encouraged all her followers to bring their pets inside to a safer enclosure

    Actor Adnan Siddiqui sent well wishes to the people of both Pakistan and India, and prayed that the cyclone passes away soon.

    Actress Mishi Khan urged her followers to keep an emergency bag with them which included medicines, valuables, and cash etc, and to also remain in contact with friends and family members.

    There is no harm in finding some humor in dark times, like actress Ushna Shah can as she makes a funny quip about boarding a plane while a cyclone looms over Karachi

    “My flight to Karachi is taking off and there is a Cyclone warning there. I just want my husband to know that God forbid if the plane crashes & I don’t make it, I hope he finds happiness with someone new one day.. and I hope he knows she will never be as awesome as me. He will have settled. (It’s really sad that I have to give this disclaimer but I do: this is a joke).”

  • ‘The beauty of humanity’: Adnan Siddiqui recalls kindness of stranger during Maat shooting

    ‘The beauty of humanity’: Adnan Siddiqui recalls kindness of stranger during Maat shooting

    The Pakistani drama ‘Maat’ aired over eleven years ago and featured a thrilling love triangle between two sisters Aiman (played by Amina Sheikh) and Saman (played by Saba Qamar) who fall in love with the same man, Faisal (played by Adnan Siddifiqui).

    Faisal first proposes for Saman’s hand in marriage, but after her rejection, he turns to Aiman. Watching Aiman and Faisal happy drives Saman to jealousy and she begins to plot the downfall of her sister.

    Years after the serial aired, Siddiqui took to Instagram to share a sweet memory of meeting a neighbor who lived next to the house where the drama was shot, and how an accidental encounter led to a memorable dinner, which the actor still remembers years on.

    The actor shared that once when he was heading back to the set after fearing he lost his wallet, he spotted the late Mr. Maroof pacing around worried because no one had visited him for dinner. The neighbor requested Siddiqui to join him for dinner, which the actor recalled was an incredibly memorable experience:

    “In that moment, I was struck by the extraordinary character and values that Maroof sahib embodied. Though he had limited means, his heart overflowed with generosity. His insistence on sharing his modest meal revealed a profound philosophy of life—one that emphasises the importance of giving, sharing, and finding fulfillment in serving others.”

    The experience taught him that true wealth is never about how much money we have, but how much we care.

    Read his complete statement below:

  • The OG Pindi Boy Sheikh Rasheed ka new career?

    The OG Pindi Boy Sheikh Rasheed ka new career?

    Agar politics mein ziada maza nahi a raha, then every one should follow the start of Sheikh Rasheed’s rap career with the Pindi Boyz.

    The famous Rawalpindi politician set social media ablaze when he made an appearance in the rap group’s latest song ‘Pindi Aye 2.0’ in the begining. He can be seen sitting lazily on a sofa and puffing a cigar, while handing a black dossier to members of the band.

    The band, comprising of Hashim Nawaz, Zeeru, Hamzee, Shuja Shah, Usman Ghauri, OCL and Khawar Malik, gained fame on social media with their song ‘Pind Aye’ which has received 20+ million views on Youtube.

    On the surprise inclusion of the OG Pindi boy, Karamat told Dawn Images that it had taken them three years to convince the politician to agree to appear in their video. After chasing Rasheed for two months, the gang went to visit him at his house on the third day of Eid in order to shoot the intro.

    The group recalled spending two and a half hours with Rasheed, calling him very cool and laidback::

    “It was very chill, very laidback. He was like one of us,” Karamat revealed.

    The group also recalled how they asked Rasheed to just be himself, since he is known for his street smart style which is quite different from the the rest of the politicians. “Political stuff aside, he looked like Nick Fury while handing us the dossier,” Karamat remarked.

  • ‘3 billion allocated to finance films, health insurance for artists’: Marriyum Aurangzeb

    ‘3 billion allocated to finance films, health insurance for artists’: Marriyum Aurangzeb

    The Federal Minister for Information and Broadcasting, Marriyum Aurangzeb, announced in a tweet two days ago that for the first time ever, the federal government has allocated at least Rs3 billion for the Film Finance Fund while Rs1 billion will be used to provide health insurance for artists.

    The minister highlighted the necessity of the move in playing a major role in the growth of the film industry, and in providing security for performing artists.

    Here is the complete tweet:

    “I am equally delighted to announce that funds have been allocated both for the Film Finance Fund and for Artists’ Health Insurance for the first time ever. Rs 2 bn have been allocated for the Film Finance Fund and Rs 1 bn for the Artists’ Health Insurance. I am certain that, jointly, these measures will play a major role in the growth of our film industry and improvement in the welfare of our nation’s Artists. This will play a key role in the promotion of Pakistan’s narrative, heritage and culture through films, as well as the growth of screen tourism in Pakistan.”

    In May, Aurangzeb had inaugrated PTV’s National Film Production Institute in Islamabad. At the ceremony, Aurangzeb revealed that the project will help in promoting Pakistan’s narrative worldwide, through screen tourism via the National Film, Culture Policy 2018, which states that cinema houses in the country will also be restored.

  • 41 years later, ‘Ankahi’ is still more progressive than current drama serials

    41 years later, ‘Ankahi’ is still more progressive than current drama serials

    If we were to tell you that a drama is on air on Pakistani screens, showcasing a feisty, independent woman who stands up against forced marriages, is living with her single mother and uncle but never laments about not being married or plots 24/7 to entrap a man? You would say petrol is mulk mein sasta hojaye ga, but Pakistani dramas kabhi itnay achay nahi thay.

    We’re sorry to tell you that there was a time when Pakistani dramas were progressive and revolved around empowered women who never waited for a man, but were powerful and independent. Despite airing decades ago, more and more Pakistani women are watching classical dramas from PTV, and expressing their shock at the kind of empowering, witty women in these shows who never tolerated abuse, or the horrifying kind of things Pakistani dramas today think that all women want.

    Take ‘Ankahi’ penned by the brilliant Haseena Moin in 1982, decades ago and yet appealing to a mass audience with its main lead, Sana (played by Shehnaz Sheikh) who dreams of being rich, is clumsy yet endearing, outspoken about standing up for her rights, takes on the task to become financially independent and starts working despite the opposition she faces from her relatives.

    Did we imagine that what would pave the way after the women of Haseena Moin like Sana, Sunia, and the countless women from her drama’s- would be Umera Ahmed’s Khirad? A woman who set romantic standards that despite being neglected, kicked out of her home while pregnant, you forgive the man and every thing is good in the end.

    There is certain charm in the way PTV classical dramas from the minds of writers like Syed Mohammad Ahmed, Moin and Anwar Maqsood still appeal to audiences. They wrote over a variety of topics, covering a variety of issues like domestic violence (Sitara Aur Mehru Nisa), family planning (Aahat) and even light hearted rom-coms about women trying to pursue the men they love (Tum Se Kehna Tha). These dramas were upfront about bringing stories about women, and the issues they face to the spotlight, regardless of how absurd it may seem. Aahat discussed how women in Pakistan are pressurised to give birth to sons, are taunted when they have families full of girl children, and even didn’t shy away from depicting what post partum depression looks like, when the mother (played by Sania Saeed) is quickly returning home after giving birth, despite being forbidden by her doctor, and how she is made to endure the separation from her daughter because of the pressure her family puts on her. And as Moin put it herself, more rebellious women challenging the patriarchy was the onus:

    “I created the bold woman character as a counterpoint to all male writers who were showing women as a miserable victim, crushed by the system, eternally self-sacrificing, nurturing, serving her husband even though he visited prostitutes. Oh, it was so degrading! I like writing rebellious characters, and I keep repeating them so that there is an impact. The only thing is, my mode is comic and my words are never harsh. During many interviews, I have been asked why I show strong women characters. It annoys me. Do they ask male writers, why they show strong male characters?”

    Fast forward to the year 2023, censorship is at an all time high, and it was the implication of consensual sex that set PEMRA after ‘Tere Bin’ after a string of scenes depicted domestic violence, stalking, slapping, attempted suicide- too long of a list to get into.

    A few days ago, during an appearance at Mazaak Raat, Syed Mohammad Ahmed spoke about how writer’s today are more munshi than writers. They lack the creative freedom they had in the past to write about topics of their choice, and how the fixed formulae of creating a hit drama involved women being battered and abused, rather than rebelling against the patriarchy.

    Listening to this and watching as one of the currently hit dramas in Pakistan revolves around two cousins getting married, and the woman being demonised because she wanted to marry rich, there’s no way to stop the despair from hitting in. The hole left by Haseena Moin will be difficult to fill, as the entertainment industry keeps its head buried in the sand.

  • Shoaib Akhtar is not interested in a second marriage

    Shoaib Akhtar is not interested in a second marriage

    Former fast bowler Shoaib Akhtar recently appeared on Hafiz Ahmed’s podcast where he opened up about whether he would get married for a second time.

    The speedster rejected the idea of marrying again, saying that he would remain committed to his wife. The cricketer said that although Islam allows men to marry multiple times, it also encourages men to remain faithful and kind to their wives:

    “You can get married four times, but I believe that once you’re attached to someone, they have left their home for you so you should leave your things for them as well. Be nice to her, kind to her. You should be an inspiring figure to her. You should have a strong character and shouldn’t pressurise her to do anything. I’m always straight forward and honest, I take care of my children and teach them the Quran.”

    The cricketer, who tied the knot with Rubab Khan in 2014, talked about the arranged marriage his parents had set up for him, when they met his wife’s parents during Hajj:

    “My mother had met my wife’s mother during the time they were completing Hajj, and during this visit she had taken a lot of care of my mother. When my parents came back, during that moment my mother introduced me to a girl and told me ‘This is your wife’, and I agreed to marry her.”

    Akhtar said they had a simple nikkah ceremony, which wasn’t open to public, with just a few people from his family and from his wife’s family.

    Akhtar went on to reveal that he is quite different from his conservative wife because of his liberal views, but he has never pressurised her to do anything that she doesn’t want to, including asking her to make media appearances:

    “My family doesn’t like coming on tv. My wife is very conservative, even though I am very liberal, very open minded. I keep asking her to go out and eat something, and she refuses.”

    Akhtar also added that he respects his wife’s preference which is why he doesn’t speak about their personal life during media appearances, to keep supporting her choice to remain a private figure.

  • ACF’s Ayesha Chundrigar teams up with Marina Khan, Sania Saeed to make short film about animal rights

    ACF’s Ayesha Chundrigar teams up with Marina Khan, Sania Saeed to make short film about animal rights

    Animal Rescue Foundation ACF announced on Wednesday that they are making a short film ‘Aisa He Hota Hai’ which will explore the issue of animal rights in Pakistan. The five minute film will be directed by powerhouse Marina Khan, while the script was written by the founder Ayesha Chundrigar and veteran actress Sania Saeed will star in the film.

    The Current spoke to Chundrigar about how this project came about. The animal rights activist revealed that the short film reflected how animal abuse isn’t an isolated issue, but connects with every other issue in society. She also told us that the project was made without a budget, except for necessities like cameras and petrol, describing it as “a film about animals, but at the same time, it’s not about animals, its so much more.”

    “I am a psycho therapist by profession and what is very interesting for me, especially in my line of work with animals, is that I have to deal with human behavior of all sorts. I meet some of the best people, the kindest people, but then I also meet the worst kind of people that abuse those who are more vulnerable than them, who exploit them and treat them very badly. I have had the privilege of doing my work, while also looking at it through the lens of a psycho-therapist. And everything I do on social media, if you look at ACF’s, I tell stories of animals, of how we help…I try to get to the root of the problem.”

    Chundrigar said that the film was born out of her fascination by the connection between animal abuse and all other kinds of things that can happen in society:

    “We normally see animals and animal abuse as totally separate from issues in society. But what I find fascinating is how animal abuse is linked so deeply to every other issue in society, we just have a blind spot to it. But it’s so necessary to look at it because it’s so pivotal to everything else. So I thought it’s finally time to address it through the most powerful medium, which is a film, because it can reach all sorts of patents on social media and can have a really wide range. The difficult part is to put it in a story form, but it was honestly one night. I was just sitting and thinking…and this idea just came into my head. I wrote it within five minutes.”

    Chundrigar partnered with long time animal activist Sania Saeed, who is often spotted at the shelter and during rescue operations as well. Chundrigar gushed about Saeed’s enthusiasm for the project, and said she was the first person who Ayesha had reached out for the script:

    “I shared this idea with Sania because she’s the most amazing human who comes to the shelter all the time to help us with our rescues, with re-habilitating, and grooming animals there. She’s come with us to places like Empress Market to spread awareness. She is truly one of my top five most favorite people in the world. She’s so deep, incredible and empathetic. When I told her about the idea, she immediately came on board and also wrote all the dialogue because I wrote it in English, she translated it into Urdu.”

    It was through Saeed that Ayesha connected to the producer Imaan, veteran actress and director Marina Khan’s niece, who both came on board to help push the project forward:

    “Marina herself is amazing”, Chundrigar praised the ‘Dhoop Kinare’ actress. “She has visited us several times, and has even adopted a paralysed puppy from us who has grown to become this naughty little cartoon who lives with her. And Marina is the biggest animal lover, and an inspiring woman. I was lucky to be in her and Sania’s presence and working and learning with them. It happened organically, like I didn’t have to do anything. We talked with each other, and then had a couple of meetings, and then everything came together easily. Iman got the best team together for our sound, photography and so on.”

    We also spoke to Marina Khan on what drove her to participate in the project. She said that it was to help encourage empathy towards animals, and to show respect to all of God’s creatures:

    “The project was about addressing empathy towards animals and show respect to all of God’s creatures. We may use animals for labour and we may use them as food but we can still show them some respect. Also to show that the mistreatment of animals leads to the mistreatment of humans.”

    Pakistan is currently witnessed a rise in animal cruelty cases, most notoriously the elephant Noor Jehan, who passed away in Karachi Zoo in April due to poor health and neglect. Furthermore, there have been consistent cases of dog culling, as was the case in a May incident, when a man was arrested after a video showed him killing a dog by hanging and another case in KPK where another man was arrested for butchering dogs.

    To ensure that there is a shift in society in how animals are seen and treated, Chundrigar said that her organisation has been working through their social media pages to raise awareness about showing empathy and compassion to animals, so that the work for ensuring better rights for animals keeps progressing:

    “The state of animal rights in Pakistan has always been bad, the difference is that animals were never highlighted as a cause being worthy of even talking about. But now you and I are talking about it. Animal rights has become news now, and that is what my organization has been building towards. Because it’s very easy to say something like ‘we need laws’ or ‘we need our rights’. Of course we need them, that’s common sense! But to implement a policy, we need to ensure that the cause is seen as important. This is what my organization has been working towards for the last ten years, we have been building this case to become worthy of news. This is how we know about Noor Jehan, or the rising reports of dog culling, and the reason why people are trying to stop it and those in charge and now taking notice. This is a movement of animal rights, and like any movement its not just going to happen. You cant force it, but let it take shape slow and steady, but you have to be consistent and set an example through your actions. This is what we share on our social media about why animals are important, and what it takes to make a compassionate society. This is what I’m keep doing, because I look at it through a psychological perspective. The moment people start noticing animals, automatically you’ll seem ore things done to benefit them, which is why I’m working on psychological roots of change as oppose to just working on surface level stuff, because that is the way to bring about change not just through laws or policy, but through the mindset.”