Actor Danish Taimoor was a guest on “The Talk Talk Show” where among many things, he opened up about his relationship with wife Ayeza Khan , who is also an actor. The two have been married since 2014 and have two children. In the interview, Taimoor revealed that he always made sure that the couple’s household expenses would remain his responsibility, and that whatever Ayeza had earned in her career would solely belong to her, leaving her free she to do whatever she liked with it.
“I do this because even in Islam, this is what we’ve been told to do,” said the actor. “What ever earnings your spouse makes, these are her own and for me to even use Rs1 from it is haram. If its her intention, then she may give it to me if she wishes. But anything regarding grocery or household, I tell her that it is solely my responsiblity,” he categorically said.
Taimoor also talked about those roles that attracted a lot of public criticism in dramas like Deewangi and Kaisi Teri Khudgarzi. He said that it was not his responsibility to become a teacher, as he was an entertainer: “Do not connect these characters with myself…I don’t take responsibility for all of this. I am here to entertain public, otherwise I would have become a teacher.”
If the first episode of Sar-e-Rah was about the impact one woman makes when she stands up for herself, the next episode shows us how she can keep on inspiring women from different backgrounds to take a stand for themselves.
In this episode, our protagonist Rabia meets Dr Muzna, a woman who has longed for a child has kept her husband’s infertility a secret from the rest of their family. Muzna faces the burden of this secret because of the taunts her mother-in-law gives her for not being able to give the family a child, and because she decides to go back to her job and refuses to abandon her practice.
In this episode, Sar-e-Rah explores how empowered women who broke away from the shackles of patriarchy are able to recognize the burden society puts on women who chose alternative paths towards motherhood. In one scene, when a grandmother and her child scold Muzna in a cafe for bringing her newborn child along with her, Rabia takes a stand by telling them that Muzna did a noble thing by choosing to give shelter to a child that had been abandoned.
In the rest of the episode, we watch the two women find solace in one another as Muzna faces opposition from her husband and mother-in-law for choosing to adopt a baby with taunts telling her that bringing home another woman’s child won’t make her a mother, but Razia keeps reminding her that what she is doing is quite noble. Their wholesome bond remains steady as Rabia helps Muzna in facing her husband and the rest of the family, and also to search for the mother’s child.
At a time when triggering topics like domestic violence, child abuse and forced marriages are not treated with the sensitivity and depth they deserve, it is heartening that a show like Sar-e-Rah isn’t shying away from exploring such tabooed topics and reminding women that they can find the strength they needed in each other.
With Valentine’s Day coming up, your amma jee’s earnest khuwaishien about turning her into a dadi maa, and those bachiyan you stop to hoot at aren’t impressed by how much of a hero you can be. It’s clear that you don’t have a date because more women are rejecting entitled, selfish brats because do khori paisay kya kama liye, ab kehti hain they don’t want a man in their lives! Clearly dear reader, you have tried everything to impress her but have no chick to take to Hooters while Beena is out of town. So we are ready to help because we know how hard it is to get home and no live in maid is around to make you food and treat you like chota sardar. The best place to go for advice is definitely Pakistani dramas and their never ending tips on how to create the perfect male heroes. Whenever drama creators and screenwriters have been questioned about why they chose to consult no real woman, and included domestic abuse in their dramas, their response was that this is what society has always favored! So we have, with our superior mind and years of journalism experience, decided to write down some of the popular dramas released over the last few years, and the stellar advice they offer to men across Pakistan whose hairlines keep receding as Bisma doesn’t answer their 1999th hookup call.
1 Introduce yourselves by demanding her to call out your name repeatedly
Tricky thing but follow our steps closely because you want to ensure she likes no one else but you. You’ve met the dream girl and want her to like you back, but how do you do so? As Danish Taimoor splendidly shows us, kidnap her dad and then when she calls you in tears begging for help, demand that she repeatedly say your name. Over and over again. That will put her in a trance, she will wake up and go around thinking only of you, and you alone.
2 To develop a deeper bond between the two of you, pick someone who’s your cousin
You’re hitting 39 soon and you don’t know when will you stop being a chichora. Dramas say you should pick a girl who is naive and won’t be able to see the real douchebag that you are. That’s why you should pick your cousin. She can easily be pressurized by her parents to date you, and even marry you in the near future because otherwise their daughter’s honor might go to shambles. Ignore the cries of those rabid feminists telling you that intermarrying cousins is medically questionable, especially when it involves a child! She won’t protest regarding how much she has to clean up after you, or has to literally take care of the rest of your family as well!
3 Swoon tip: neglect all of her need’s and accuse her of being a drama queen!
Among the many things men are clueless about when it comes to dating, is not knowing how to make a woman feel special. Many men are consistently trying to figure out the ways they can remind a woman they love that they think she’s special and value her existence. So here’s a tip: gaslight her when she comes to you with a problem. Is she spiraling due to a panic attack and can’t breathe? Stand there and accuse her of faking it all and then go on your day pretending what you saw never happened. After all, for any relationship to become successful, a period of hardship and torture is quite important!
4 Refuse to- and we emphasize this so much – keep refusing to take no for an answer
Anything that a woman says after meeting you should be a hint that she wants you. If she’s complaining about having no food, it secretly means she wants to cook food for you. If she’s asking about the time, it secretly means time to go home with you. So don’t mistrust what your gut is telling you, and keep letting her know that you can hear her inner voice, which she can’t. If she tells you she doesn’t like you, refuse to let her go and keep pressurizing her to listen to her desperate inner voice wanting to be with you! Akhir kaar there is nothing wrong with you! So why would she reject you?
5 Lastly, to seal this joori into a lifetime commitment, put a gun to your head so she quickly agrees to marry you.
The day is ending, you know you just met her and don’t know anything except for her phone number and where she goes to study. But you think you have found the perfect live-in nanny that can cook you and keep up with your mummy’s constant nagging so it’s only right that you drop a proposal now! She’ll say no at first because obviously, she doesn’t know that she wants to marry you as well. So to make it quick, and actually get her to marry you- hold a gun to your head, and start screaming that you’ll shoot yourself if she doesn’t say yes. Start counting down from ten, and she’ll definitely say she want’s to marry you. It’s a win-win!
Singer and actress Komal Rizvi was a guest on Nadir Ali’s podcast where she opened up about her abusive first marriage and how she managed to escape it. Recalling her past, Rizvi revealed that she was quite naive at the time she got married, as she was only 21 years old and this was a semi-arranged marriage for which she had been given only four months to accept the propsal. The actress had lived in Dubai for a year, and later shifted to Oman when the beatings began, getting worse to the point that even the police had to be called.
“I was 21 years old when I had gotten married, so I was very young… When we lived in Oman, I didn’t have any family or friends that I could escape to, and my ex-husband never gave me any money to keep me under his control. One time, I called the police on him when he was beating me. But instead of taking action, they dismissed it as a domestic problem and left, leaving me completely alone with him.”
Recalling what she had learned from her past ordeal, after getting a divorce four years later, the actress said she wished more parents would educate their children about understanding boundaries, because her husband would psychologically abuse her to believe the beatings she was receiving were her own fault.
“Women from the start in our society are told that they will have a beautiful wedding, after which they will have a husband who will take care of all of their needs. Which is why, so many women are willing to give their 200% in order to make their marriages work. But I detest that we never teach women about the importance of establishing boundaries, that let alone their husband, no man can cross. Which is the thing I regret the most because then I would not have wasted three and a half years trying to make my marriage work. My husband would play all sorts of mind games to gaslight me and make me feel like I am responsible for the beatings because I made him angry. For instance, he would say ‘it’s your fault that you served me with cold food, so I hit a frying pan on your head.’ I kept believing that if I loved him better or worked harder, he would be proud of me.”
Rizvi especially emphasized how important it is that women are emotionally strong and be vary of men who try to encourage them to abandon their careers and dreams, because this is how her husband treated her.
“Men like my ex-husband, who are psychopaths, especially try to ensure that they trap the girl to prevent her from escaping in any way. They go after girls like me who were quiet independent and successful, and ask her to abandon all of this in order to become a wife. They want a simple, meek girl who has no independence or opinions of her own, so they can bend her in to two pieces.”
After escaping her abusive marriage, Rizvi recalled that it was incredibly difficult to be happy and come out of her dark hole, and said that it’s important that society helps women understand that their life isn’t over after a divorce, and provide them with the support system and care one needs.
‘Because I was very young when I got divorced. I used to think ‘Oh my life is over! Who would marry me?’ Now I look back and I’m shocked that I said things like this because I remind myself today that I still have a long way to go!” joked Rizvi.
On the lesson she wished parents, and especially men, would take away from her revelation, Rizvi said that men need to learn to respect women, and ensure that when they’re bringing a woman who had a lot of protection when she lived with her parents, ‘Make sure you provide her the same amount of honor, respect and love. And when she becomes the mother of your children, provide her with twice the amount of love and care than you usually gave.”
Pakistani dramas aren’t the first place to turn to if we happen to be looking for entertainment, but it seems like the tide is finally turning. After the ever popular Kuch Ankahi, ARY’s new drama Sar-e-Rah, is exploring the issues faced by women in this society. In its first episode it welcomes female taxi drivers to public spaces.
The drama explores the lives of four women and an intersex man, and the struggles they face in society. This episode opens with the life of Rabia, a woman who has been waiting for five years for her aunt and fiance Faraz to finalize her wedding date. When her father, the head of the family, suddenly has a heart attack and it begins impacting the family’s household expenditure, Rabia decides to follow his footsteps to become a taxi driver.
The episode wasn’t afraid to explore the kind of push back and harassment women face at the hands of men when they venture in to public spaces. In one scene, a customer arrives as Rabia’s car and notices that a woman driving . He starts exclaiming “God’s wrath is upon us!” and walks away muttering that this was a sign of the Day of Judgement. Rabia’s family members, especially her fiance, taunt her with the age-old saying ‘Log Kya Kahengee’ if a woman is boldly stepping out in the streets to make an earning. To whom Rabia gives a powerful response by reminding them that no one is more honorable than a woman who chooses to look after her family by making an earning.
the age-old question of “log kya kahenge?” receives the solid, formidable answer that it always should receive. for how long will we stop ourselves from doing things because we fear other people? i can already see rania becoming one of my favourite characters. #SareRah. pic.twitter.com/01hn51g7Ox
Twitter users are already fans of Saba Qamar’s powerful acting, calling it a well needed show that has arrived at the right time. “I’m very excited about Sar e Rah and the engaging, progressive and uplifting narrative it has taken off with. So many issues are being addressed in a natural and (so far) non preachy or patronising way. Can’t wait for the next episode,” wrote drama critic Aamna Isani.
I’m very excited about Sar e Rah and the engaging, progressive and uplifting narrative it has taken off with. So many issues are being addressed in a natural and (so far) non preachy or patronising way. Can’t wait for the next episode #SareRah
“Such a unique & powerful concept. This show is giving OG Pakistani show’ vibe . Hats off to #SabaQamar for always trying to do something different,” another user wrote.
Really really impressed by the first episode of #SareRah . Such a unique & powerful concept. This show is giving OG Pakistani show’ vibe . Hats off to #SabaQamar for always trying to do something different. I hope this show becomes a big hit. pic.twitter.com/vPhkiA4pz2
Users especially showered praises on a powerful scene where a customer guides Qamar’s character to never be afraid to charge her customers the price she deserves, and also reminds her to keep her confidence strong and stare back at the same men leering at her.
We had been waiting for a long time to see Pakistani dramas get on with the times and start wriiting stories that reflected the lives and struggles of women in Pakistan, and it seems like that time has arrived. The drama is a breath of fresh air for welcoming female taxi drivers in to the public sphere, and we are anticipating how it will play out in the next few episodes!
The year is 2023. The Pakistani entertainment industry is as terrified of a woman who exercises her own free will and independence, as it was in 1973. After encouraging the bitch and bechari trope, the gold digger, the women fighting over a man trope, here comes another interesting plot device to keep viewers entertained: humiliation nikkahs.
What is this term and why do we bring this up? Humiliation nikkahs is a trope that are apparently suppose to make the enmity to lovers story even more spicier, simply by pressurizing the girl to marry the man for the sake of keeping her izzat intact. Bring up an excuse like the man the woman was suppose to marry bailed, and what could be more precious for a woman than diamonds, jewelry or a worthwhile lifestyle? Her honor! Because dear children, if a woman has no honor, punish her by marrying her off instantly to a stranger, popping out a ready made husband good to go!
Recently, the drama Mujhe Pyar Hua Tha has been gaining a lot of attention on social media because of Wahaj Ali’s brilliant performance, but his smolder and Nice Boy™️ vibes isn’t enough to divert us from the regressive story line. A love affair is stopped because women do not appreciate caring and nice boys apparently. From the start, the drama keeps us invested in the love story between two cousins (not enough coffee on this planet to get in to how messed up this is). The male lead, Saad (excellent name choice, five points for the writer) is the good boy next door. He’s the one who has always listened to your problems, is only a call away when you need to go out, but not the one you want to fall in love with. . He’s Devdas without the dimples or the long hair strand in front of the face, but the slouch who moans about no one liking him.
Then there’s the girl, Meerab, who is vain, self-centered, and consistently ignoring Nice Boy’s™️ kindness. She also taunts him for not doing enough when in the first episode, she chastises Saad for not owning a nice enough car and making her late to her cousin’s wedding. Meerab falls in love with a rich man Areeb, for which she is repeatedly condemned by her family, because she begs them not to force her to marry Saad, the man she had literally grown up next to. She and her mother are painted as villains in the drama because of their aspirations to marry above their station.
But what possible flaw could Saad have, aside from the fact that he is literally her blood relative? He’s the Nice Boy™️! Could it be perhaps that she doesn’t owe to him that she gives up her independence simply because he loves her? Or perhaps she has different desires than what Saad is offering her, and would like to have a wealthy and luxurious lifestyle? But by the end of the day, Meerub is a selfish, manipulating bitch for wanting more than just a mere home, and Saad is the Sad Boy who got played with because for once, a woman reminded him that she doesn’t owe him anything.
And then we come to the part that has inspired this rant: the shotgun wedding that is apparently the genius twist used to put two enemies together. Apparently the writer thought they were one-upping the great minds of writers like Agatha Christie or Emily Henry, who couldn’t write a better love triangle than forcing a woman to quickly marry her cousin because log baatien kar rahay hain? One would have to question why do television shows still presume that a woman’s honor and respect is completely destroyed when they are raped or assualted, but there is never a question about the man’s sense of respect. Especially in a country where more women are beaten or murdered by family relatives because they made videos on Tik Tok or even rejected a man’s proposal, this kind of message actively perpetuates the ever present misogyny women in Pakistan still deal with.
‘Log Kya Kahengee’ is a mantra women have been sacrificing their dreams and existence to, and it’s shameful that to this day, drama creators cannot recognize how damaging their depictions can be for women trying to survive in Pakistan.
The humiliation nikkah isn’t brand new, but a beloved trope. Popular dramas like Chupke Chupke abruptly put the opposing lovers together without any proper chemistry because it was another great idea hatched by respectable elders. Dear children, marriage is the magic wand that magically evaporates any anonymity or prejudice two people who never have interacted before in their lives might have, and then suddenly they’re the new Majnu Laila in town. Chupke Chupke executed this trope in a brilliant manner. Faaz and Meenu, the opposites in the Hum Tv Ramzan drama, had never interacted before, and were also STUDENT and TEACHER before this happened. Meenu tragically happened to have been engaged to a con-man, who was quickly caught by the brilliance of family members who were pushing her to get married in the first place. In a stroke of brilliance, they quickly decide that Meenu must marry her cousin, and teacher, Faaz Ibrahim, to save her respect. Before Faaz can even interject with some logic, Meenu’s brother quickly shushes him by reminding him ‘Meenu ki izzat ka sawal hai.’
Because worse than marrying the wrong man or even being abused and humiliated in a toxic relationship, is getting bailed on your wedding day.
What’s more worrying to witness is how the humiliation nikkah trope is supposed to be a way writers are trying to convince the audience that a toxic male lead, who repeatedly stalks, harasses and crosses boundaries with a woman, is actually truly in love with her. Taking an example of the ever green Ishq Hai where Danish Taimoor”s character is driven to madness when he realizes that the woman he loves (played by Minal Khan) is getting married to someone else. So he kidnaps her, drives her to an isolated home, where he holds a gun to his head and threatens this woman that she must marry him, or he will kill himself.
Swoon, right? Shah Rukh Khan should take notes. He only gently reminded his female lead that he wouldn’t force her to run away with him, because he loved her too much, and would never want her to live a life of shame and cut off from her loved ones.
But what’s going to change by shouting our frustrations in the air this way because by the end of the day, this is the same entertainment industry willing to demonize Aurat March as a Western agenda movement, designed to break apart the family system.
The family system, that is maintained because women have kept quiet for centuries about being abused, mistreated, cut off from their family members, forced to clean and cook for the entire household, will suddenly collapse overnight because one girl made the choice to marry according to her own free will.
We sincerely hope that Pakistani drama creators would maybe stop chasing their own tales and spinning out the same regressive storylines, and maybe for once, listen to the women living in Pakistan, who deserve much better than consistently being denied their humanity and self worth.
Actor Imran Ashraf took to his Instagram stories to react to a viral Youtube video about his wealth. The Youtuber has grossly exaggerated and fabricated Imran’s actual assets. The video also claims that Imran owns a Lamborghini car, which caught Imran’s attention. The Dum Mastam hero reshared a screenshot of the video and stated, “Oh Allah, make me as rich as these Youtubers believe me to be.”
“I feel like taking a loan from myself after watching my supposed wealth in the video,” concluded Imran.
Earlier the Ranjha Ranjha star called out a YouTuber who used misleading click-bait thumbnails of his blockbuster drama Raqs-e-Bismil. The Alif Allah Aur Insan actor shared a hilarious thumbnail in which a YouTube revealed the ‘supposed’ season 2’s snippet featuring Zohra with a child and Moosa by her side. He added a humorous caption, “Is bhai nai to bana bhi diya”.
He also shared a fake thumbnail about the teaser of the last episode which suggested that his character, Moosa will die.
The ARY drama ‘Kuch Ankahi’ debuted on Sunday with a star studded cast including Sajal Aly, Bilal Abbas Khan, Shehryar Munawar and Mira Sethi. The drama’s plotline revolves around the lives of three sisters and their family. In the first episode we get to see the family prepare for the future in-laws of the elder sister Samia (played by Mira Sethi), while the middle child Aaliya (played by Sajal Aly) is a powerful real estate agent who is trying to secure a client. The youngest child Taniya (played by actress Qudsia Ali) loves teasing her mother and keeps urging her elder sister not to marry her future husband Saif-ul-Rehman (played by Ali Safina) as he has kept her waiting for three years to secure the proposal. On its debut, it has secured itself among the top trending hashtags in Pakistan.
Twitter users love the calming vibes of the show, and are calling it a fresh, progressive start for 2023 where a show centers around the bond between three women who stick with each other in the toughest of times.
watched the first episode and I’m already loving it. the whole setup and bg score is so soothing <3 bilal-sajal as salman-aaliya is lovee <3#KuchAnkahipic.twitter.com/WNP0TOcKCJ
Fans are also applauding the amazing chemistry between Aaliya and Salman (played by Bilal Abbas) who are both rival real estate agents trying to secure a wealthy client.
The Legend of Maula Jatt headlined by Fawad Khan, Hamza Ali Abbasi and Mahira Khan is by far the most expensive film to come out of Pakistan. The film opened to packed houses on October 13th and continues to earn over 200 crores globally.
In December 2022, Pinkvilla reported that Bilal Lashari’s blockbuster was set to release in India on December 30th after gaining massive appreciation from countries worldwide.
However, Hindustan Times has reported that the film will not release in India. It was earlier speculated that the Pakistani film’s screening has been stalled indefinitely.
“We have been informed by the distributors that the film’s release has been postponed. We were told this two-three days ago. No further date has been shared with us,” a PTI report quoted an INOX official as saying.
The official added, “Zee Studios had acquired the rights of The Legend of Maula Jatt as they were expecting the film to do well. But because of the resistance from certain sections, the decision was made to not release the movie.”
Maharashtra Navnirman Sena (MNS) leader and president of their cinema wing Ameya Khopkar tweeted about the cancellation of the release of The Legend of Maula Jatt and wrote, “Impact Of Raj Thackeray’s Warning! After the warning given by MNS, the screening of the Pakistani film ‘The Legend of Maula Jatt’ has now been completely cancelled. Not only in the state but also anywhere in the country, this film will not be released anymore.”
He added, “Again, if anyone has feelings of love for Pakistani artists, then this one warning is enough for them. Heartfelt congratulations to all my colleagues for this victory of the MNS movement.”
Previously, Bollywood Hungama had reported that the release has been stalled for the unforeseeable future. A source close to the development revealed, “Zee Studios had already acquired a clearance for The Legend Of Maula Jatt from the Central Board of Film Certification. But on Monday the CBFC recalled the film.”
Since 2019, there has been a cultural exchange ban between both India and Pakistan. But still, some of India’s Punjabi films managed to release in Pakistan.
Bilal Lashari’s directorial film has set high records not only in domestic cinemas but also in America, Europe and Gulf markets.
Previously, Jawani Phir Nahi Aani 2 was the highest-grossing film in Pakistan that earned PKR 73 crore globally. But The Legend of Maula Jatt has tripled up those numbers.
Initial Release IssuesIn Pakistan
Several cinema owners initially refused to screen the film due to a clash with the makers over commissioning ratios. Journalist Hassan Choudary shed light on the matter on Twitter.
Apparently Nueplex and Cinepax aren’t showing The Legend of Maula Jatt. Whatever the reason may be, would urge cinema owners to revisit the decision. Please don’t deprive the audience of this film and also why deprive yourself of the revenue which, I bet, will be unprecedented?
Film’s producer Ammara Hikmat exclusively confirmed to The Current that the news is factual.
According to theatre owners, the makers and distributors of movies have been requesting more money than was specified in the contract. Film distributors and producers are asking for more money than was specified in the contract.
In an official statement, Nueplex Cinemas have shared that they are not screening the film due to their exhibition terms, which are beyond the industry norms. Apparently, the film distributors are asking for more shares than what is considered normal in Lollywood.
Actor Syed Jibran called it a “deadlock” and said the distributor’s demand to increase ticket prices for a larger share was “very unwise” and a bad step. The Ghabrana Nahi Hai star took to Twitter on Friday and wrote that the deadlock happening at the moment for The Legend of Maula Jatt is between distributor Nadeem Mandviwalla and officials of Cinepax cinemas and Nueplex.
1/ I couldnt help but notice the deadlock which is happening right now between the distributor Nadeem H. Mandviwalla and the officials of Cinepax Cinemas and Nueplex Cinemas regarding the release of The Legend of Maula Jatt. The distributor of the film asking to increase the
Jibran suggested that instead of increasing the price, it should’ve been reduced to Rs800 instead of Rs1,200 or more so that revenues “go through the roof”.
“Increasing the ticket price they are just decreasing the repeat customers. It’s short-sightedness. Plain and simple. This will badly damage the reputation as well as a chance to create a historic box office first day score for the film,” he reasoned.
3/ increasing the ticket price they are just decreasing the repeat customers. Its shortsightedness. Plain and simple. This will badly damage the reputation as well as a chance to create a historic box office first day score for the film. Now because of this … out of 122 odd
The actor added that of 122 screens in Pakistan almost 50 of the main multiplex screens have not yet released any schedule for The Legend of Maula Jatt a day after the film’s release, which he called “the most important trend setting first day of the film”.
He called it a bad decision on the distributor’s part and demanded that the problem be resolved as soon as possible otherwise no one else could be blamed for the “underperformance of probably the greatest film of Pakistan ever made” other than ourselves.
After two weeks of the film’s release, the screening issues were resolved, nationwide.
Looking back at the year 2022, Pakistani cinema produced commercially and critically successful films like Kamli, Joyland and of course, Maula Jatt. This year was the start of listening to voices that didn’t just circle around men. Now actress Amar Khan has expressed hope that the conversation keeps going on, while the industry releases more movies that champion women voices and don’t revolve around male-centered notions. Yesterday on Twitter, the actress shared a post applauding the success of Bollywood movie “Gangubai Kathiawari” which has surpassed all other productions to become the number 1 movie at the Indian box office. The post applauded director and writer Sanjay Leela Bhansali for breaking the stereotype that women-led movies don’t become instant hits, and that movies infused with emotional dialogues rather than intense action scenes wouldn’t interest anyone.
Rab kare 2023 mein koi aik adh bhansali border k is paar bhi janam le.Warna we have never made a female oriented commercially succesful film.They continue to be male centric!! :/ https://t.co/92XXs2hUBI
Amar Khan wrote that she hoped Pakistan would follow the same footsteps as its neighbor and soon start creating more films that were female-centered and also commercially successful. “Rab kare 2023 mein koi aik adh bhansali border k is paar bhi janam le.Warna we have never made a female oriented commercially succesful film.They continue to be male centric!!”
