There is no bigger discussion happening on social media right now other than the epic performance given by Humayun Saeed on Meray Paas Tum Ho’s 11th episode. Facebook groups are discussing how they, and their mothers, cried while Danish gives up the love of his life.
The drama is in its 11th episode and come to a major twist. Danish (Humayun Saeed) is married to Mehwish (Ayeza Khan), they have a son and Danish is desperately in love with Mehwish, who wants the finer things in life. Enter Shehwar (Adnan Siddiqui) who is super loaded and in a very unhappy marriage. He lives alone and his wife lives abroad. He plays on Mehwish’s desire to be rich and the fact that all Danish can afford is a small apartment and gets with Mehwish.
The popular ‘pink nightie’ scene, in Episode 9, where Mehwish ends up in a hotel room with Shehwar, is also confirmed in this episode. Mehwish went to Islamabad with Shehwar and didn’t tell Danish she was going. She had taken a job as Shehwar’s secretary, and it was obvious that Danish knew something was up, but he let it go on anyway. We see her in a pink nightie which eludes that Shehwar and her were having an affair but it wasn’t confirmed.
In this episode, which has broken Pakistani social media, Shehwar shows Danish pictures of Mehwish in the pink nightie in the hotel room, confirming that they were indeed having an affair. He convinces Danish to give Mehwish a divorce since she’s just not in love with Danish anymore. Danish, after hearing a recorded conversation between Mehwish and Shehwar, is convinced to give her up.
He tells Mehwish she can go. Mehwish gets ready to leave and he asks her to stay the night and leave in the morning.
The episode was beautiful in its simplicity, the explosive performances caused tears because of how genuine they seemed. It was very obvious in Humayun Saeed’s acting that he was in love with his wife and would eternally be. He didn’t rant, didn’t scream, he spoke simply and he cried silent tears, which made him even more real. Humayun Saeed gave the performance of his life in the simple way he portrayed how deeply love can hurt – without having to scream it. When Danish tells Shehwar that “larki jubh bewafa hoti hai tou poori tarhan bewafa hoti hai,” Shehwar also has a sheen of tears in his eyes.
Ayeza Khan also gives a stellar performance because she isn’t the typical female villain. She doesn’t act like the spoilt, jean-wearing, bad girl that Pakistani dramas love to create. She is aware of her beauty, maintains her simplicity and knows what she wants. You don’t hate her; you can’t. She has made her decision to take what she wants and even though it’s selfish and terrible, Ayeza’s performance shows that it happens and there’s nothing dramatic about it. Which is why she doesn’t lose any respect. She maintains her dignity and makes her choice – without being behaya about it. The affair isn’t just Mehwish – it’s also Shehwar and the episode does a good job showing that the guy is just as much to blame as the woman. Shehwar is the one who has to face Danish first – showing that they are a team and man and woman, both are to blame.
The lessons in this drama are also incredibly important – especially this episode. Danish is concerned about his son, Rumi and what Rumi will do when he wakes up in the morning and finds his mother gone. Mehwish also tells Danish to tell Rumi the truth in a few days so that Rumi doesn’t have any expectations when his mother doesn’t comes back and if he spots her on the road. It shows the importance of how an affair – no matter who has it – affects a family and especially children.
The dialogues by Khalil-ur-Rehman Qamar is the spine of the whole episode and the drama. He writes how it happens – every single phrase is something that could’ve and would’ve been said. It plays to the heartstrings, making each dialogue so real that there is no one watching who is not entranced – and is wondering how these are words that anyone could be unlucky enough to hear.
If you missed it, watch the episode here:
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